Sound quality if very important when creating a video or podcast. Instead of telling you how important sound quality is, I decided to run an experiment showing you how different mics sound. The difference is telling, especially when you hear the difference between a nice mic and your standard mic on your laptop. When you hear the two one after another the difference is HUGE! Take a look for yourself in the following video:
See my latest video on how to create a podcast. This video is designed for the absolute beginner. I am in the process of creating some more advanced ones. In this video I cover the basic steps to create a podcast:
1. Find a topic!
2. Set a schedule
6. Promoting your podcast
This has been a topic of interest since I first started my doctorate in 2006. Its an interesting debate and in the following video I did my best to find out what the learning sciences are and how they compared to instructional design. I wasn’t sure what I would find but I was surprised by what I did. Here are some of my key findings, see the video for all of them:
– There are only a few programs that call themselves learning sciences. Most consider themselves a blend.
– I can’t actually find a difference between the learning sciences and instructional design. I see authors try to distinguish them from one another but its mostly just a lot of word smithing.
– I can’t actually find any jobs in the learning sciences, at all, except for the few learning science programs looking for learning science faculty.
– The jobs learning science programs say their students are getting are instructional design jobs, which was quite unusual. You don’t create a program unless there is a specific demand for a job in that field that is not being met.
I’ve often referred to learning styles as one of the great unicorns in education. If you believe they are real, I challenge you to prove it! We currently have no evidence they exist and we have plenty of learning theories, with tons of evidence, showing how we learn. Those theories are contrary to learning styles. So if you don’t believe what I am telling you, what the research shows, please prove me wrong! I dare you! In fact, this site, worklearning.com will actually pay you $5,000 if you can prove they are real! So let me tell you how to do it if you are inclined to prove me wrong!
How to prove learning styles are real:
- 1. Select a learning style test. There are 100s so you need to pick one. Each defines learning styles differently (just the start of the nonsense that is learning styles)
- 2. Show validity and reliability evidence for the test (i describe in the video below how to do this)
- 3. Give the test to participants and divide them into 2 groups (ie visual vs kinesthetic)
- 4. Have at least 35 people in each group
- 5. Develop content for each group. For one group, use only their learning style. For example, for the visual group develop only visual content. Then for the kinesthetic group use both visual and verbal content.
- 6. Test participants on high (problem solving) and low (factual) content and compare results. You must prove that learning style made a difference. So you would need the visual group to perform best.
What do you think the results will be?
If you believe in learning styles and choose to ignore all research: You would believe that the Kinesthetic group should do terrible. They learn best with hands on activities. The visual group will do better because they are getting visual content.
If you believe is 1000s of research studies we currently have, all data, all evidence: The kinesthetic group will outperform the visual group on factual and problem solving knowledge. Why? Because we know that people learn better from visual and audio vs just visual. Learning style, learning preference, etc. has no bearing on this. You can say you are a visual learner, hands on learner, etc all you want but it doesn’t matter. You will perform well when you have well designed instruction regardless of what you think your learning style is.
And if you think the content was unfair since the kinesthetic group had visual + audio narration, just give both groups the same visual content and guess what, they will both perform the same. The visual group would NOT outperform the other group. Learning styles do NOT matter because they aren’t real. We have countless studies showing this phenomenon.
Here is a video that walks you through this:
One question I am consistently asked over and over again on my youtube channel is ‘How did you make this?’. The easy answer – I recorded a video of my screen and myself at the same time! The hard answer – I used specialized software to record my screen, a video camera to record myself, a microphone to record the sound, a green screen in the background, specialized lighting, and then video editing software to edit the video and finally publish it.
So as you can see, streaming and recording a video takes a lot of work. It involves specialized software and hardware. It takes a lot of time. But its fun. I love it. If it wasn’t a passion of mine I would not be doing it.
To learn about the software and how to get set up check out the following video which goes through the entire process:
Here are links to the hardware I recommend for streaming:
Logitech Webcam – https://amzn.to/2KLOXrK
Blue Yeti Mic – https://amzn.to/2Z8XaLS
lights – https://amzn.to/2H4pTeg
Green Screen – https://amzn.to/2Z3hQ7R
This is a topic I have had a lot of interest in lately. Text to speech is not really a new technology (I used it in the 80s) but its gotten significantly better. Additionally, people want to use it for professional products (ie elearning). Narration is an expensive cost in an elearning product so a good voice could help to really save a lot of money. So is it good? Well, at this point its OK. There is some software out there that really isn’t terrible and some that hasn’t improved since 1985. Overall I am excited to keep trying it out and see if it gets better over the next few years. Here are a few videos I have created which go through some of the current software on the market today. You can be the judge and jury: Would you use it?
How do we learn? How do we learn while doing? 3D Learning is a multisensory theory that examines how we learn through multiple channels in working memory. This video focuses on a task – learning a song on the guitar.
Please see video for more in-depth explanations: https://youtu.be/NUbf5hi1sP4
To cite this:
Pastore, R. (2019). 3D Learning. Retrieved from http:// http://raypastore.com/wordpress/2019/03/3d-learning/
Link to PDF version: http://raypastore.com/wordpress/wp-content/uploads/2019/03/3dLearning-1.pdf
1.0 What is 3D Learning?
- Theory that expands on prior 2D cognitive theories (i.e. theories that focused on text and images) to explain how we process content to learn in the real world through all domains (psychomotor/affective/cognitive), from games, experience, virtual reality, hand on activities, etc.
- Its organic – living and changing
- Research has only begun to scratch the surface
2.0 Background Framework
Atkinson & Shiffrin (1968) – Memory Theory/Information Processing
- Memory has 3 parts – sensory, short term, and long term.
- Information is first delivered to sensory memory. In this stage the learner decides how to handle the information or its forgotten
- Short term/Working Memory – This is where information is processed.
- Long term memory – indefinite storage capacity. Information can be stored here and retrieved for later use in working memory.
Miller (1956) – Working memory capacity
- Learners can hold 7 concepts, plus or minus 2, in working memory at one time depending on how meaningful they are
Baddeley & Hitch (1974) and Baddeley (2000) – Model of Working Memory
- Working memory/short term memory has a short duration and is controlled by the central executive. It has 2 channels, one for visual/spatial information and one for verbal information
Paivio (1979) and Paivio (1986) – Dual Coding Theory
Working memory is composed of two channels – verbal and nonverbal (visual). Each channel can function independently or they can work together to use information or store it in long term memory.
Mayer (2001) and Mayer (2005) – Cognitive Theory of Multimedia Learning (CTML)
- Expands on Baddeley and Paivio’s theories
- The CTML is based on three assumptions
- (1) working memory is made up of a dual modality (dual coding) input channel system,
- (2) there is a limited capacity in working memory, and
- (3) that learners engage in active processing.
Moreno (2006) – Cognitive Affective Theory of Multimedia Learning
- The CATML is Based on the following assumptions:
- independent information
- processing channels
- limited working memory capacity and virtually unlimited
- capacity long-term memory
- dual coding
- active Processing
- affective mediation
- metacognitive mediation
- individual differences
- These are limited in scope – 2D – Only focused on verbal and visual information (*CATML does focus on more but still only hypothesizes that we use verbal and visual channels)
- We still have people trying to use learning styles and multiple intelligences even though research does not support them because they seem to make ‘sense’ to people
- How does any of this account for real hands on learning? Gaming? Virtual reality? Where we use other means of learning besides images and words (narration).
- Much of our learning combines all domains of learning. Psychomotor and affective tasks require cognitive resources (i.e. are using in working memory). The domains of learning are great for instructional strategy development but do not help explain what happens in working memory.
So I started digging…
- One of the first surprising pieces of information I found was from Baddeley (2012). This really sent me down the rabbit’s hole. “…can other modalities such as smell and taste be added without impacting visual or verbal capacity? Are there separate subsystems for smell and taste?” (p. 23) (Baddeley 2012)
- Then I started finding things like this from Quak, et al (2015) who says that we tend to look at the way we process information in a stationary fashion, examining 1-2 channels at a time (i.e. text and images) whereas in real life we take on many at a time – hearing, smell, sight, taste, etc.
Then I started to look at the way we work, play games, use our senses…
- For example, when we play a video game we are using our ears, eyes, and hands. So I started looking at the biology of humans. Specifically focusing on the senses and found that biologists recognize many senses (20-30 or more) such as Visual, Auditory, Haptic/kinesthetic, Olfactory, etc. I was surprised, but yes, we have many other senses. More than the standard 5 many of us learned in grade school. For example, hunger and thirst. Our body has a lot of senses.
And just like that, I realized we have researched some of these other modalities, though that research was rare and scattered. For instance, Jonsson et al (2011, p.1023) state that examining how the senses (i.e. olfactory system) operate in working memory has “received almost no attention in the literature”. Here is a sample of what I found:
- Andrade and Donaldson (2007) conducted a series of experiments that found that there was a modality specific space in working memory for a learner’s olfactory system. These results were then again confirmed by Jonsson, et. al (2011).
- Lerch, Cui, Patwardhan, & Visell (2016) conducted an experiment which found that haptic information can be stored in working memory and has its own channel. Seaborn, Riecke & Antle 2010 found similar results.
- So we have some initial evidence that these senses have their own place in working memory! Now this makes sense. The research is aligned to what we really experience. This explains what is happening in working memory when we learn from games, virtual reality, and in the real world! Now I am excited!
4.0 What I realized is that we have been focusing on a very small piece to a very large puzzle!
- 3D Learning is a theory that expands on prior 2D cognitive theories (i.e. theories that focused on text and images) to explain how we process content to learn in the real world through all domains (psychomotor/affective/cognitive), from games, from experience, in virtual reality, from hand on activities, etc.
- Its organic – living and changing
- Research has only begun to scratch the surface
- The model:
- Multiple Input sources
- Multiple input sources – There are a number of input sources that humans experience. These include vision, hearing, feeling, doing, smelling, tasting and many more
- Sensory Memory
- Sensory memory is where we first experience the input and put it into working memory or dismiss it
- Working Memory
- Learners have/can process information through a number of channels in working memory (i.e. visual, verbal, haptic/kinesthetic, olfactory, and more)
- Learners can process multiple channels at the same time (can work together or independently from one another).
- No matter how many channels we have, we can still only store a limited # of concepts in working memory
- Training can improve each channel.
- Learners will have natural strengths and preferences for one channel vs another.
- Learners can work with prior knowledge from long term memory
- Long term Memory
- Long term memory is said to be indefinite
- Multiple Input sources
5.0 What’s next…
- We need to expand the multimedia principles…and probably should be calling them the principles of learning
- What are the other channels/how many?
- Olfactory, haptic/kinesthetic, taste, etc. How many do we have?
- What combinations work best? How many is too many?
- For example, using our eyes, ears, and hands. Is that too many? How does that impact cognitive load?
- This is especially crucial to the gaming literature as virtual reality starts to become more common for hands on training
Andrade J. & Donaldson L. (2007). Evidence for an olfactory store in working memory?
Psychologia, 50, 76-89.
Atkinson, R.C., and Shiffrin, R.M.(1968). Human memory: a proposed system and its control processes. Psychol. Learn. Motiv. 2, 89–195.doi:10.1016/s0079- 7421(08)60422-3
Baddeley, A.D., and Hitch, G.(1974).Working memory. Psychol. learn. Motiv. 8, 47–89. doi:10.1016/S0079-7421(08)60452-1
Baddeley, A. (2012). Working Memory: Theories, Models, and Controversies Annu. Rev. Psychol. 2012.63:1-29.
Baddeley, A. (2000). The episodic buffer: a new component of working memory? Trends in Cognitive Sciences, 4(11), 417-423.
Jonsson, F., Moller, P., & Olsson, M. (2011). Olfactory working memory: effects of verbalization. Memory and Cognition, 39, 1023-1032.
Lerch, R., Cui, H., Patwardhan, S., & Visell, Y. (2016). Exploring haptic working memory as a capacity-limited information channel. Presented at the IEEE Haptics Symposium Conference.
Mayer, R. E. (2001). Multimedia learning. New York: Cambridge University Press.
Mayer, R., E. (2005). Introduction to multimedia learning. In R. Mayer (Ed.), The cambridge handbook of multimedia (pp. 1-16). NY: Cambridge University Press.
Paivio, A. (1986). Mental representations. New York: Oxford University Press.
Paivio, A. (1971).Imagery and Verbal Processes, Holt, Rinehart, and Winston, New York (Reprinted 1979, Erlbaum, Hillsdale, New Jersey).
Quak, M., London, R., & Talsma, D. (2015). A multisensory perspective of working memory. Frontiers in Human Neuroscience. 9, 1-11.
Seaborn, Katie & Riecke, Bernhard & Antle, Alissa. (2010). Exploring the interplay of visual and haptic modalities in a pattern-matching task. Paper presented at the 2010 IEEE International Symposium on Haptic Audio Visual Environments and Games
Please see the video for more info: